My practice brings together printmaking, textiles and gathered materials through walking, collecting and installation. Beginning underfoot, I explore how overlooked surfaces and fragments hold traces of time, revealing connections between landscape and the built environment. Through processes of printing, stitching and assembling, my work creates spaces for close attention, where unexpected relationships between materials, places and memory can emerge.
My current work begins underfoot — on the Roman road at Houndskirk Moor and on the pavements of the city, where small wild plants return in the cracks. I trace how surfaces hold time: erosion, thresholds, interruptions of colour.
Through print, stitch and walking, I explore how the ground remembers.
The pulse of what persists.